East of Everything is an Australian drama television series which began screening on 30 March 2008 on the ABC. It is produced by Deborah Cox, Fiona Eagger and Roger Monk. Two seasons were produced.East of Everything revolves around a globe-trotting travel writer who returns home for his Mum's funeral to a neglected resort town, Broken Bay, on the easternmost point of Australia. He is challenged by a crooked local council, his brother who is trying to cheat him out of his inheritance, his first love who broke his heart when he was a teenager and the son he hasn't seen in ten years. The setting was named by combining the names of Byron Bay and Broken Head.

A teenager on the cusp of turning 15, straddles the line between childhood and adulthood when she is forced to move in with her father and his younger girlfriend after her mother's death. Looking for direction, Abby befriends the rebellious Caroline, who doesn't always set a good example...

The fate of two brothers diverge after the murder of their coal miner father, with one joining the mob and the other becoming a successful lawyer.

An aspiring singer, a troubled rich boy, and an ex-seminarian share an apartment in the East Village in this story dealing with AIDS, sexuality, and living in NYC of the late '80s.

In the farmlands of the Salinas Valley in California, successive generations of two families, the Trasks and the Hamiltons, are destined to reenact the fateful story of Cain and Abel.

The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.

A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.

The adventures of Joanna Beauchamp and her two adult daughters Freya and Ingrid -- both of whom unknowingly are their family's next generation of witches -- who lead seemingly quiet, uneventful modern day lives in Long Island's secluded seaside town of East Haven. When Freya becomes engaged to a young, wealthy newcomer, a series of events forces Joanna to admit to her daughters they are, in fact, powerful and immortal witches.

When Saki Morimi gets into trouble with the police while in Washington D.C., she is helped by a Japanese man who calls himself, Akira Takizawa. Akira has only two things, a gun and a cell phone loaded with 8.2 billion yen in digital money.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.